HEGEL A200 BLACK STEREO PASTIPRINĀTĀJS (cena par gab.)

The A200 is built for listeners who want a fully analog amplifier with the power, control, and focus to let the rest of the system speak for itself. Together with the H200, it represents one of two listening paths: one connected, one fully analog. The A200 is The Classic: an integrated amplifier with MM phono input, expanded analog connectivity, headphone output, and 150 watts of output power per channel. It is for those who value simplicity, purpose, and a dedicated signal path.

2 x 150 W/8 Ω

SoundEngine 2

Fully Analog Design

Built in MM Phonostage

Balanced XLR Inputs

Headphone Output

Home Theater Integration

TV Remote Control

Auto Standby

Analog by intention

The A200 is an integrated amplifier for listeners who want the amplifier to remain exactly that. An amplifier. No DAC. No streaming section. No digital inputs. Just carefully executed analog amplification. There are many reasons to choose an amplifier without built-in digital functions. Some listeners already own a DAC they love. Some use a separate streamer. Some build their systems around vinyl, CD, radio, or other source components. Others simply prefer a system where each product has one clear job. The A200 does not decide the front end of the system for you. Its job is to give each source component a stable, clean, and powerful analog foundation. This helps every connected source perform at its best, with its own character, detail, and dynamics intact. That focus continues inside the amplifier itself.

Built on control

At the heart of the A200 is the powerful 150W Class A/B analog amplifier section. However, the power rating only tells part of the story. What matters just as much is how the amplifier behaves when driving real loudspeakers with real music. The A200 uses Hegel’s SoundEngine2 technology to reduce distortion in real time. Instead of correcting errors after they have already passed through the amplifier, Sound-Engine2 detects distortion where it occurs and cancels it before it can travel further through the signal path. Combined with stability down to 2-ohm loads, the result is an amplifier that remains clean, composed, and controlled, even when the music becomes complex or the loudspeaker load becomes demanding. A damping factor of more than 4000 gives the A200 firm control over the loudspeaker drivers. Bass notes start and stop with precision. Rhythms become easier to follow. The entire presentation gains clarity because low-frequency energy is kept in order. This is not control for its own sake. It is control in service of the music.

Analog connections

In the A200, every input is analog. Two high-performance balanced XLR inputs and two unbalanced RCA inputs make it easy to connect high-quality external sources. The output side is just as useful. A fixed RCA line output can feed a recorder or a second system, while a variable RCA line output makes it possible to connect a subwoofer or external power amplifier with volume controlled by the A200. A high-quality headphone output makes private listening part of the same amplifier. The A200 is simple in concept, yet flexible in use.

A phono stage worth using

The A200 includes a dedicated Moving Magnet phono input based on the MM section of our standalone V10 phono stage, using hand-matched FET transistor gain stages together with carefully selected op-amps. Designed for low noise, precision, and musicality, it is not a checklist feature, but a high-performance input we are happy to recommend. This matters especially in the A200. A fully analog amplifier should treat vinyl playback seriously, and the A200 does.

Made to live with

A core Hegel belief is that a good amplifier should not demand attention every time it is used. The A200 includes practical functions designed to make the system behave naturally and predictably. Each input can be assigned a fixed volume level, making it easy to integrate the amplifier into a home theater system or any setup where volume is controlled externally. The A200 can also learn volume commands from a TV remote. This means systems built around an external DAC or AV receiver can still be controlled from the remote already used every day. Startup volume and maximum volume settings help prevent unexpected volume jumps. Auto standby reduces unnecessary power consumption. The display dimming is automatic and fully customizable, allowing the display to be bright when needed, dimmed during normal listening, or turned off completely in a dark room. The A200 is designed to be used, not managed.

The classic route

The A200 is for listeners who want a fully analog integrated amplifier with a clear role in the system. It offers the same core amplifier performance as its connected sibling, but takes a different route. It leaves DAC, streaming, and digital source choices to the listener, while focusing on analog amplification, loudspeaker control, and daily usability. Not because fewer features automatically make a better product. Because when the amplifier has one clear role, each source is given the space to show what it can do. The A200 is the classic route to the same goal Hegel has always pursued. Nothing added. Nothing taken away. Just music.